Displaying episodes 1 - 30 of 154 in total
Every recording of a musical is slightly different. Colm Molloy returns to discuss how each album of Pacific Overtures brings something new and which song is the best from each production.
Kyle discusses all three cut songs from Pacific Overtures.
A song about always looking forward, no matter what your past is. Erik Stadnik returns to provide some insight into the final song of Pacific Overtures.
Ashley Pribyl returns to show this song in particular is the bridge between A Little Night Music and Sweeney Todd. But she also talks with Kyle about such light topics as imperialism and institutional racism.
A perfect musical theatre experience. A Bowler Hat is a song that not only explains the theme of Pacific Overtures but also is one of the best stage songs of all time. Sam Simahk joins Kyle to discuss the history of Japan, how this song works, and try to figure out who Spinoza was.
Japan is opening up. But what do the other nations have to say about that? Donatella Galella comes on to discuss history, Asian representation, and all the different musical styles of "Please Hello".
Sondheim says this is his favourite song that he's written. Thom Sesma has actually performed this song on-stage. He joins Kyle to deconstruct the song. Plus they both try to figure out their place in history.
Yo ho! Matt Koplik joins Kyle to discuss fan art, double entendres, and why Sondheim doesn't think this song is funny.
A couple of friends walk together and make up fake haikus to pass the time. Christine Chen returns to give insight into the song and the legacy of Pacific Overtures.
Will White returns to discuss the orchestrations of Pacific Overtures. He answers questions about why there's such a distinctive sound and how Sondheim and Jonathan Tunick created what they did.
The song Chrysanthemum Tea was written specifically for Alvin Ing to perform in Pacific Overtures. He joins Kyle to discuss his time with the show (twice!) and how theatre has changed over the years.
Is the Shogun's mother trying to help her son, or is she seeking vengeance? Zina Lee returns to discuss the performance, lyrics, and history of Chrysanthemum Tea.
Are they dragons or are they volcanoes? Danielle Breitstein joins Kyle to discuss the story of this song and how it's melody stays important through the rest of the show.
A tragic song about what can be said out loud and what needs to be kept to yourself. Chris Dockum joins Kyle to discuss why it's two unknown characters who sing this song and the impact of Pacific Overtures in general.
The opening song to Pacific Overtures. Is it meant to be an explanation of the idyllic world Japan was in, or is it a warning about he dangers of isolationism? Luckily, Kyle doesn't have to figure that out alone as he has Rob Urbinati, a person who has seen the original Pacific Overtures dozens of times.
Trailer for the upcoming Pacific Overtures season of Putting It Together.
Listen. It's just frogs. Justin Havard joins Kyle to discuss the history of this show, reports on a friend of his who was at the original Yale production, and the song Shaw in particular.
In this case it is a couple of hippy-dippy homosexuals talking about some hoity-toity intellectuals. Jonathan Chisolm returns to discuss the history of this show, the plot of Act 1 in general, and the song Ariadne in particular.
Who doesn't like a list (song)? In this special episode Kyle goes through his 10 favourite Sondheim songs which were released from 1970 until the end of 1975.
Kurt Peterson was in the original production of Follies. But he also was in the second West Side Story revival and starred as Bobby in the first Canadian production of Company. In this episode you'll hear about his time on-stage and why he transitioned to being a creative producer.
We finish talking about Candide this week. First is a song with reworked lyrics from Sondheim, and second is a song written for a sheep. Brendan Clifford joins to give his thoughts. He's actually worked on a production of Candide!
Sondheim returned to a collaboration with Leonard Bernstein. Candide is a Frankenstein's monster of a production. Luckily Philémon Heutte is up to the task of making sense of Sondheim's contributions.
Stavisky is a movie, directed by Alain Resnais, that's also scored by Stephen Sondheim. William White returns to dive into what makes a great film score and to answer why Sondheim didn't write more for the movies.
Rick Pender literally wrote the book on Stephen Sondheim. The Stephen Sondheim Encyclopedia is being released tomorrow and Rick dropped by to talk about how the book came together and his years of writing about–and talking with–Stephen Sondheim.
Ramona Mallory played Anne in the Broadway revival of A Little Night Music. In this episode she talks about why she became an actress, how special A Little Night Music is for her, and why she decided to leave Broadway afterwards.
The film version of A Little Night Music came out in 1977. David Youn returns to discuss what it did well and why it's not remembered very fondly.
There were six songs cut from A Little Night Music. Kyle talks about such numbers as "Bang!" "Two Fairy Tales" and "My Husband the Pig." He might even sing a little.
Matt Steele joins Kyle to discuss four different recordings of A Little Night Music. Which songs are the best on each record? What surprising mashup slaps? And what are their opinions on book scenes being recorded for the album?
Isn't it bliss? Don't you approve? It's time to talk about Send in the Clowns! Ashley Pribyl returns to discuss Sondheim's most popular song.
Petra gets to take centre stage to give her opinions on life and love. Jared O'Roark shares his personal history with this song. Then Kyle and Jared discuss the sexual liberation of this song, its placements in the show, and the similarities it has to Liaisons.